In Amy Tan’s “Two Kinds,” the image of the piano symbolizes the conflicting expectations and desires between Jing-mei and her mother, as well as the larger theme of identity and self-determination. The piano is introduced as an object of pressure, with Jing-mei's mother pushing her to become a child prodigy. It represents the mother's dream of success and the belief that talent can be cultivated through sheer will, despite Jing-mei's resistance and lack of interest. The piano’s symbolic power deepens during the story’s climax when Jing-mei’s refusal to practice becomes an act of rebellion, signifying her struggle for autonomy. The final moment with the piano, when Jing-mei plays the piece for her mother and fails, reflects her feelings of inadequacy but also her decision to define her path, not one dictated by her mother’s unrelenting ambitions. Thus, the piano becomes a metaphor for the tension between parental expectations and personal identity.

Both poems address the subject of undying passion. - describes a similarity between “That I did always love” and "'Why do I love' You, Sir ".

Read the sentence from John F. Kennedy's Inaugural Address. And let every other power know that this Hemisphere intends to remain the master of its own house. Dominance and unity best describe the feeling Kennedy intends to convey in this sentence.

The statement that best describes the excerpt from the New York Times review of "A Man's World" is: It contains the opinion of a person who saw A Man's World.

"Listeners would not have to focus on the words spoken by Fritz and Frank. " - would an audio production differ from a stage production of this scene.

He stopped merely to ask her for directions to the library. 'Ask' is the verb that modifies by the word merely.